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Habi | Weave Collection #3 (Binakul)

Binakol: A Unique and Beloved Indigenous Filipino Textile Binakul, a rare textile native to the province of Abra in the Philippines, is renowned for its intricate patterns and vibrant colors. It has been woven into the fabric of Itneg (Tinguan) culture for generations, serving as a material for clothing, accessories, and decorative items. Crafting Binakul is a laborious process that involves weaving threads together using a backstrap loom. The weavers use the "ikat" technique, dying threads in a blend of colors before weaving them together with precision to create the final product. Binakul embodies the creativity and resourcefulness of the Itneg people who have been able to create such a unique and beautiful textile by utilizing traditional methods passed down through generations. Despite the challenges Binakul weavers face in the modern world, such as competition from machine-made textiles and a lack of support for traditional crafts, there is a growing interest in preservi

Salaysay as a Brand

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LOOK: This Local Brand Promotes Philippine History Through Its Eco-Friendly Tote Bags

Bu'lul and Tinagtagu Heads by Marge DC Gomez

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Subjects:  Bu'lul and Tinagtagu Heads Artist:  Marge DC Gomez Year painted:  2022 A.D. Size:  20 x 24  Price:  Php18,000 (still available) Subjects:  Bu'lul and Tinagtagu Heads Artist:  Marge DC Gomez Year painted:  2017 A.D. Size:  20 x 24  Price:  SOLD Subjects:  Bu'lul and Tinagtagu Heads Artist:  Marge DC Gomez Year painted:  2018 A.D. Size:  20 x 24  Price:  Php18,000 (SOLD in 2021) Bu'luls are anthropomorphic sculptures that are usually made of wood, such as Narra or Ipil, or stones (mostly river stones), and could be found on granaries and  payaos . [1] [2] These sculptures are regarded as deities, specifically as 'rice gods' and like the Anitos of different Igorot tribes, Bu'luls are also believed to house the spirits of dead ancestors, providing protection and granting bountiful harvests. As can be seen in most poses of Bu'luls, seated comfortably with their arms wrap around/on their knees, suggesting  preparedness s to put in long hours of watc

Dreams Manifested: A Series by Ron Dulay

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  Dreams Manifested (Series) Digital Painting Dreams Manifested is an abstract painting series created using textile patterns as well as traditional embroidery designs from the Cordillera. In this series, the artist is inspired by the Binakol textile pattern from Abra. His inclination in creating Binakol-inspired artworks started after he sourced yards of locally handwoven textiles from Abra artisans during the early months of the pandemic. He used those textiles to create unique cloth face masks. He was mainly attracted to the optical illusions created by the varying geometric patterns as well as the cultural and spiritual significance of the material culture. As he continues to experiment with the use of these unique motifs in a more contemporary manner, he aims to reach and educate more millennials and Gen Z about the Cordilleran culture. About the Artist Ronald Dulay is a Benguet-based visual artist and designer whose recent creative works revolve around material exploration to ind

HABI | WEAVE Collection #2

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Ang tradisyonal na paghahabi ay ang paggawa ng tela sa pamamagitan ng pagpatong-patong (pahalang at patayo) ng mga sinulid na mayroong mausisang metodo sa paggawa at naaangkop sa kultura ang disenyo. Ang habi ay isa sa mga pangunahing gawain sa isang sinaunang komunidad na pinangungunahan ng mga kababaihan. Ang mga ito ay maaaring sumisimbolo sa pang araw-araw na buhay ng etnolingwistikong grupo nagmamayari nito; sa kanilang relihiyon o paniniwala, pagtatanim, pagaasawa, panganganak, atbp. Sa kasalukuyan ay buhay at mayabong pa rin ang kultura ng paghahabi sa Pilipinas, partikular sa Kordilyera. Bagaman may mga hinaharap na hamon ay patuloy ito na sumasabay sa kontemporaryong panahon. [1] Isa sa mga tradisyonal na manghahabi sa lungsod ng Baguio at probinsya ng Benguet ay si Manang Cathy Ekid, siya ay mula sa etnolinggwistikong grupo na Can-eo Bontoc. Sa una ay kinokontrata lamang si Manang Cathy ng isang malaki at sikat na kumpanya na nagtitinda ng mga habi sa lungsod ng Baguio, nguni

Bu'lul by Marge DC Gomez

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  Subjects:  Bu'lul and Tinagtagu Heads Artist:  Marge DC Gomez Year painted:  2018 A.D. Size:  20 x 24  Price:  Php18,000 (SOLD in 2021) Bu'luls are anthropomorphic sculptures that are usually made of wood, such as Narra or Ipil, or stones (mostly river stones) and could be found on granaries and payaos . [1] [2] These sculptures are regarded as deities, specifically as 'rice gods' and like the Anitos of different Igorot tribes, Bu'luls are also believed to house the spirits of dead ancestors, providing protection and granting bountiful harvest. As can be seen on most poses of Bu'luls, seated comfortably with its arms wrap around/on its knees, suggesting  preparedness s to put in long hours of watchful waiting.  [3] Even in today's time, though these are being sold as souvenir items and decorative arts, Bu'luls still play a huge and great role in the rituals of the Ifugaos, especially those that are related to agriculture. [4]  The three Bu'lul head

A Hero's Burial

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I was sitting in my favorite spot at the avung[1] when Manang Delia[2] approached me and asked me to help her son with his Filipino subject module. The topic was about Filipino Heroes. One of the activities in the module is about describing one's hero; the boy mentioned Rizal, Bonifacio, and so on. But since they are Ibaloys and members of the Onjon ni Ivadoy Association, Incorporated , I suggested that he should write about Mateo CariƱo[3]; an Ibaloy chieftain who revolted against the Spaniards and fought for the ancestral lands of Ibaloys in the City of Baguio and Province of Benguet. And then I remembered my conversation with Manong Boy[4] at the avung. I was doing some data gathering for my research about burial practices and I happened to attend as part of my documentation process, the wake of the late Atty. Alfonso Pucay Aroco at the Ibaloy Heritage Garden in the City of Baguio and in Kabayan, Province of Benguet. Manong Boy mentioned that what I have witnessed might have be